| Mieke Bal |
LOOPS & GAPS: Video as Entrance into the Unknow |
| |
Food,
Form, and Visibility (Glub) |
| |
Diary |
| |
Light, color, hyperbolic scale (Kilid) |
| Kathrin Becker |
Words about "M" |
| Doris Berger |
Semiotics of a Migrant Man located in Germany |
| Mari Brellochs |
Kilid |
| Dolores Denaro |
Him & Her |
| Aimee
Marcereau DeGalan |
Happy Meal |
| Nat Muller |
Splendid gender bending..., Interview Nat Muller
and Shahram Entekhabi |
| Alia Rayyan |
Of
keys and pigeons…, Bidoun Magazine, issue 1, summer 2004, Interview with |
| Staci Gem Scheiwiller |
Miyan-e Mahdoudiat-ha ya Marz-ha? (Contesed Agency in Contemporary Iranian Art)
|
| Martina Schoene-Radunski |
One person's trash is another person's treasure |
| Sophia Ayda Schulz |
Silence might be golden, but Shahram Entekhabi’s paintings tell a story |
| Ima Shahandeh |
They Go Bang Bang in My Head, Art Tomorrow Issue 3 January 23, 2012 |
| Huda Smitshuijzen |
From the banks of the river called HOME, Abi Fares |
| Ilka Toedt |
The worlds in between |
| |
Ein Atelierbesuch bei dem iranischen Künstler Shahram Entekhabi |
| Magdalena Ujma |
It’s Been a Long Way, Baby... |
| Elzbieta Wiacek |
A R T Y S T A, In the occasion of It's Been a
Long Way, Baby... |
| Kea Wienand |
If
looks could kill..., A rtistically staged, migrant manhood,and Shahram Entekhabi (English) |
| |
Wenn Blicke töten könnten..., Künstlerische Inszenierungen migrantischer Männlichkeit (German) |
| Raúl Zamudio |
Nothing Gold Can Stay |
| Shahram Entekhabi |
Artist's
Statement |
| |
Brauchen
wir Künstler die Interpretationshoheit? Künstlergespräch
im Deutschen Künstlerbund; Berlin 4. Juli 2005 |
| |
Dead Satellitism |
| |
Migrant Media, Artits talk/discussion with: Dorothy Cross, Atom Egoyan and Michael Craig-Martin,Tate Modern, London, UK, 2006 |
| |
Mit dem Schleier verschleiern |
| |
The Question of Visibility and invisibility |
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